An emigrant feels like a circus man who is traveling the endless doroga, Russian for "the road." The sins of your past are inconsequential and your future is in limbo. It's a human condition that is painted poetically in "Cabaret Émigré," a new play by Sophia Romma, directed by Charles Weldon.

by Jarrett Lyons The experience of an emigre is an often misunderstood one. Sophia Romma, was born to an engineer father and a microbiologist mother in Russia. By the time she arrived in New York City in 1979 at the age of six, she was the daughter of parents whose resumes had expanded to gas […]